More than counting lines

Emily Giles • November 18, 2025

Let’s change the messaging we are giving to our young actors!  Somewhere along the line, we have taught our youth that having lots and lots of lines is the ultimate sign of importance when participating in a theatrical production. This just isn’t so, and I would love to change that vision of participating in theatre for them. 

 

When I was growing up, my favorite director would always remind us of Constantine Stanislavsky’s adage, “There are no small parts, only small actors.” Like everyone else I would roll my eyes and wonder who is getting the lead. What I didn’t understand at the time was that no matter how many lines you have to deliver, an actor on stage is always acting and sometimes more importantly reacting to the action of the scene. 

 

Over the twenty years as a theatre educator, I have seen a lot of students who think that their time to act is only when they have a line. They don’t see the time they are standing on stage listen to others as acting moments. I have even had a kid stand when he recited a line then immediately sit on the floor and play with his shoes after the line was over. He viewed the time on stage when he wasn’t speaking “a break.” 

 

Helping young actors to understand that acting is equal parts speaking and reacting, should be a goal of youth theatre. Many times, the smaller characters are the ones who help the audience to understand what is going on in the show. The way they react to what other characters say or do, gives the audience information about the action of the scene. 

 

For example, in the climactic scene in Beauty and the Beast when Gaston is trying to rally the villagers to go after the Beast, and he says, “The Beast will make off with your children. He’ll come after them in the night! Forget the old man! I say… we kill the Beast.” 

 

How the villagers react in that moment can make or break that scene.  As a director, I want those villagers to hear what Gaston is saying and be moved to join his attack. It would change the scene greatly if all the villagers who don’t have lines then, simply stood on the stage with little to no emotion or energy. The audience needs the villagers to start getting exciting, full of energy, and physically showing Gaston that they are with him. Gaston will not be as effective storming the Beast’s castle if the villagers are simply passing time on the stage until they have a line. 

 

As a youth educator, this year I am going to focus on helping young actors to shift their focus from number of lines to making the most of their time on stage, and acknowledging how much acting can be done on stage even when silent. So, if you want to check on our progress, come see one of our youth shows this spring or summer! 

 

“Don’t count scenes or lines. Instead, make your scenes and lines count!” - Kerry Hishon, theatre artist. 

Theatre Lawrence News & Announcements

July 1, 2026
Theatre Lawrence is pleased to announce the first recipient of the Louise ImMasche Striving Artists Project is Anj Marie Riffel and her musical Chasing Nirvana . The show will receive a production at Theatre Lawrence Oct. 2 and 3, 2026. Information about auditions and participating in the first staging of this original musical will be available in the coming weeks. Anj Marie Riffel wears a stack of hats professionally and passionately — including writer, editor, designer, and songwriter — with an enduring love of artistic expression. Her short plays have been featured on stage at Theatre Lawrence for New Works Night. When she’s not searching for her missing iPhone or the meaning of life, Anj can be found wading heart-deep in creative pursuits and loving her people. The Striving Artists Project honors the legacy of Louise ImMasche and the art they created by fostering a space and providing resources to small artists with big shows. This project aims to provide an opportunity to kinder those like Louise – unyielding in their dreams, a need to tell their stories, and looking to go big with the chances they are provided. About the show: Travel back to the heyday of Gen X, when twentysomethings were trying to figure out who they were beyond the walls of Shermer High School—and discovering that reality does indeed bite. Presley Martin is an endearingly awkward, hot mess of a musician who’s hoping her band might be the next Nirvana. While reaching on tiptoe for the stars, she loses her balance and winds up flirting with rock bottom instead. With the resurgence of 1990s culture, CHASING NIRVANA feels simultaneously nostalgic and current. Driven by catchy 90’s alt-rock music, the story appeals to a multi-generational audience, as it examines life’s big questions: Who will love me? Why am I here? What really matters? Packed with heart, humor, and a healthy dose of pop-culture wisdom, we follow Presley’s journey as she navigates a Bermuda love triangle and risks losing herself in the void between two very different dreams. Will she find her own sense of nirvana?
Portrait of a smiling person in a blue sweater and light blue shirt outdoors with a blurred background
June 2, 2026
Chris McCoy is an arts educator, theatre director, and nonprofit professional based in Kansas City and is excited to join Theatre Lawrence as Development Director.
The Addams Family title on a purple background with a spooky black haunted house and moonlit trees
By Jamie Ulmer June 1, 2026
Celebrate the Addams Family's legacy in our season finale. Join us for this beloved Broadway musical at Theatre Lawrence!
More Posts